Explaining tonality : Schenkerian theory and beyond / Matthew Brown.

By: Brown, Matthew, 1957-Material type: TextTextSeries: Eastman studies in musicPublication details: Rochester, NY : University of Rochester Press, 2005Description: xix, 293 p. : ill. ; 24 cmISBN: 1580461603 (hardcover : alk. paper); 9781580461603 (hardcover : alk. paper)Subject(s): Schenkerian analysis | TonalityDDC classification: 781.2/58 LOC classification: MT6.B87 | E9 2005Online resources: Table of contents
Contents:
Schenker and the quest for accuracy. Fux and strict counterpoint ; 'The Heinrich maneuver' ; 'The complementarity principle' -- Semper idem sed non eodem modo. Conceptual origins ; Prototypes ; Transformations ; Levels ; Fallout -- What price consistency? Sequences reconsidered ; Sequences and counterpoint ; Analytical implications -- Schenker and 'the myth of scales'. Modes and scales in traditional theory ; Schenkerian theory and scales ; Schenkerian theory and modal inflections ; Schenkerian theory and exotic inflections ; Schenkerian theory and the emergence of functional tonality -- "Pleasure is the law". The limits of Schenkerian theory ; Debussy, "C'est l'extase langoureuse" ; Debussy, "La mort des amants" ; Schenkerian theory and twentieth-century music -- Renaturalizing Schenkerian theory. naturalizating Schenker theory ; Schenkerian theory as a model of expert functional monotonal composition.
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Item type Current library Collection Call number Copy number Status Date due Barcode
Book Book University of Macedonia Library
Βιβλιοστάσιο Α (Stack Room A) 		Main Collection MT6.B87E9 2005 (Browse shelf (Opens below)) 1 Available 0013131823

Includes bibliographical references (p. [267]-280) and index.

Schenker and the quest for accuracy. Fux and strict counterpoint ; 'The Heinrich maneuver' ; 'The complementarity principle' -- Semper idem sed non eodem modo. Conceptual origins ; Prototypes ; Transformations ; Levels ; Fallout -- What price consistency? Sequences reconsidered ; Sequences and counterpoint ; Analytical implications -- Schenker and 'the myth of scales'. Modes and scales in traditional theory ; Schenkerian theory and scales ; Schenkerian theory and modal inflections ; Schenkerian theory and exotic inflections ; Schenkerian theory and the emergence of functional tonality -- "Pleasure is the law". The limits of Schenkerian theory ; Debussy, "C'est l'extase langoureuse" ; Debussy, "La mort des amants" ; Schenkerian theory and twentieth-century music -- Renaturalizing Schenkerian theory. naturalizating Schenker theory ; Schenkerian theory as a model of expert functional monotonal composition.

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