Schoenberg's transformation of musical language / Ethan Haimo.

By: Haimo, Ethan, 1950-Material type: TextTextSeries: Music in the twentieth centuryPublication details: Cambridge, UK : Cambridge University Press, 2006Description: x, 430 p. : music ; 26 cmISBN: 9780521865425 (hardback); 0521865425 (hardback)Subject(s): Schoenberg, Arnold, 1874-1951 -- Criticism and interpretation | AtonalityDDC classification: 780.92 LOC classification: ML410.S283 | H332 2006Online resources: Publisher description | Table of contents only | Contributor biographical information
Contents:
"Atonality" : a revisionist thesis -- "Based on tradition" : Four Songs, Op. 2, 1899 -- The principle of incremental innovation : Verklärte Nacht, 1899 -- Conservative song-cycle, progressive cantata : Gurrelieder, 1900-11 -- Programmatic music and its implications : Pelleas und Melisande, Op. 5, 1902-3 -- Consolidation : Six Songs, Op. 3, 1903-4 -- Abstract form, secret program : String Quartet, Op. 7, 1904-5 -- Referential centers? Lieder and fragments, Fall 1905 -- Absolute music and its consequences : Chamber Symphony, Op. 9, 1905-6 -- Crisis : Friede auf Erden, Op. 13, Ballades, Op. 12, and the reception of Schoenberg's music, August 1906 to July 1907 -- Motivic economy : String Quartet No. 2, Op. 10, movements one and two, March-December 1907 -- "Until then I lacked the strength and confidence" : Two Songs, Op. 14, December 1907-March 1908 -- Beyond triads : the first layer of Das Buch der hängenden Gärten, Op. 15, March-April 1908 -- "On revient toujours?" Returning to Opp. 10 and 15, June 1908-February 1909 -- The analysis of Schoenberg's post-1908 music : Pieces for Piano, Op. 11, Nos. 1 and 2, February 1909 -- "Intoxicated by the enthusiasm" : Five Orchestral Pieces, Op. 16; Piece for Piano, Op. 11, No. 3, May-August 1909 -- The birth (and death) of new music : August 1909 and beyond.
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Item type Current library Collection Call number Copy number Status Date due Barcode
Book Book University of Macedonia Library
Βιβλιοστάσιο Α (Stack Room A) 		Main Collection ML410.S283H332 2006 (Browse shelf (Opens below)) 1 Available 0013105162

Includes bibliographical references (p. [412]-422) and index.

"Atonality" : a revisionist thesis -- "Based on tradition" : Four Songs, Op. 2, 1899 -- The principle of incremental innovation : Verklärte Nacht, 1899 -- Conservative song-cycle, progressive cantata : Gurrelieder, 1900-11 -- Programmatic music and its implications : Pelleas und Melisande, Op. 5, 1902-3 -- Consolidation : Six Songs, Op. 3, 1903-4 -- Abstract form, secret program : String Quartet, Op. 7, 1904-5 -- Referential centers? Lieder and fragments, Fall 1905 -- Absolute music and its consequences : Chamber Symphony, Op. 9, 1905-6 -- Crisis : Friede auf Erden, Op. 13, Ballades, Op. 12, and the reception of Schoenberg's music, August 1906 to July 1907 -- Motivic economy : String Quartet No. 2, Op. 10, movements one and two, March-December 1907 -- "Until then I lacked the strength and confidence" : Two Songs, Op. 14, December 1907-March 1908 -- Beyond triads : the first layer of Das Buch der hängenden Gärten, Op. 15, March-April 1908 -- "On revient toujours?" Returning to Opp. 10 and 15, June 1908-February 1909 -- The analysis of Schoenberg's post-1908 music : Pieces for Piano, Op. 11, Nos. 1 and 2, February 1909 -- "Intoxicated by the enthusiasm" : Five Orchestral Pieces, Op. 16; Piece for Piano, Op. 11, No. 3, May-August 1909 -- The birth (and death) of new music : August 1909 and beyond.

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