000 02034cam a2200349 a 4500
001 85460
003 GrThPMO
005 20240502015440.0
008 971112s1998 nhu b 001 0 eng
010 _a 97049996
020 _a0819522562 (alk. paper)
020 _a9780819522566 (alk. paper)
020 _a0819522570 (pbk. : alk. paper)
020 _a9780819522573 (pbk. : alk. paper)
035 _ahzn120710
040 _aDLC
_cDLC
_dDLC
_dGrThPMO
050 0 0 _aML3845
_b.S628 1998
082 0 0 _a781/.1
_221
099 _aML3845.S628 1998
100 1 _aSmall, Christopher,
_d1927-
_999176
245 1 0 _aMusicking :
_bthe meanings of performing and listening /
_cChristopher Small.
260 _aHanover :
_bUniversity Press of New England,
_cc1998.
300 _a230 p. ;
_b24 cm.
440 0 _aMusic/culture
_947637
500 _a"Wesleyan University Press."
504 _aIncludes bibliographical references (p. 223-225) and index.
520 _a"Extending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music is not a thing, but rather an activity. This new work outlines a theory of what Small terms "musicking," a verb that encompasses all musical activity from composing to performing to listening to a Walkman to singing in the shower. Using Gregory Bateson's philosophy of mind and a Geertzian thick description of a typical concert in a typical symphony hall, Small demonstrates how musicking forms a ritual through which all the participants explore and celebrate the relationships that constitute their social identity. This trip through the concert hall will have readers rethinking every aspect of their musical worlds."--BOOK JACKET.
650 0 _aMusic
_xPhilosophy and aesthetics
_917018
650 0 _aMusic
_xPerformance
_xPsychological aspects
_945916
767 0 _aSmall, Christopher,
_dΘεσσαλονίκη : Ιανός, c2010.
_sMusicking.
_tΜουσικοτροπώντας :
_z9789606882296
942 0 0 _08
999 _d85460